Tuesday, February 22, 2011
Week 6
Tuesday, February 1, 2011
Week 4
- philosophical leader of Arts & Crafts movement
- rejected idea of mercantile economy
- believed your work should be in service of society
- as a model he points to construction of a gothic cathedral
- publishes first set of poems when he's 24
their thoughts are bigger
how can I make a better world, a system of art
return to medieval
we tend to remember how good the old days were
William Morris
- mostly remembered for his pattern designs
- developed interest in book arts
- first typeface Golden (old style), used to print book called the Golden Legend
- also designed troy (blackletter) and smaller version of troy called chaucer
- tonality of initial cap is perfect
- take idea of arts & crafts movement and bring to America
- americans made practical for commerce and added humor
- do a lot of things out of pressed tin and copper/ceramic
Tuesday, January 25, 2011
Week 3
Iron printing press - 1800
Iron can be fabricated
this is something that can be cast, pieces can be made
more durable
greater force with less human power (gear system)
cheaper, quicker, easier
cast iron with a screw
using 1/10 the force to create its impressions
Powered Presses
made 10 years after iron press
can print 400 impressions an hour
Double Cylinder Press
4 years later
1000 impressions an hour
industrialization affects fabric industry
steam powered machines come in
less need for workers
this leads to rebellion
people rioting smashing machines
led by ned lite
ledittes = anti technology
London Times
1814 printed by steam powered press
had to print in secret
had to convince public electricity was a good idea
people didn't want it, didn't see the point of it
Papers become popular
easier to produce
less expensive
shift in business model
newspapers sold by subscription
Penny Papers
sold to average person on street
start selling ads to make up money
start off visually conservative
John Cooper
first ad men were brokers of space
starts first ad agency
Ottmar Mergenthaler
1886 linotype machine
"line of type"
can do the work of 7-8 hand compositors
Victorian Era graphics
marked by aesthetic confusion
strong moral beliefs
religious beliefs
loved fussiness
rise of middle class
more people with disposable money
a lot of influence from the east
decline in quality of craft
Lithography and color lithography
invented in 1796
able to have gradations
chromolithography - color lithography
Ephemera
printed documents not meant to collect
Louis Prang
father of scrap language
scrap cards were like promos
Personalities in products
products start adopting personas
Rise of popular magazines
The Practical Housekeeper
placing ad next to article create relationship
Toybooks
made as entertainment for children
Kate Greenway
idealized children in dresses
generous use of white space
Thomas Nast
father of american political cartoon
uncle sam
republican donkey & elephant
modern depiction of santa claus
gives us Columbia
one of the reasons that led to tweeds downfall
John Ruskin
how can society consciously order the lives of its members so that the most people are happy and satisfied
people starting to have big thoughts
belief that beautiful things are valuable just because they're beautiful
William Morris
father of Arts & Crafts movement
inspired by writings of John Ruskin/social movements
son of a wealthy merchant
lets become craftsman again, build a quality chair
flaw in logic is the higher cost
Morris has the idea to turn away from industrialization to go back to making things
Conclusion
There's a lot of different types of presses that we learned about today in class and I thought it was interesting to see how they worked. You start to see a sort of progression when it comes to the printing press where they just keep getting better and better and better. Knowing that a certain press can make a certain number of impressions per hour is useful to know because it gives me an idea of how efficient they were. Seeing examples really helps also because I get an idea of what the presses were capable of.
Once again I see the connection between Graphic Design and Advertising which is one of the topics I'm most interested in. Even though I've never heard of some of the names mentioned in class I knew that the first admen weren't really admen at all. I get to learn a bit more about advertising from a different perspective which I find pretty interesting.
I also liked learning about Thomas Nast and Boss Tweed. I remember hearing of Tweed back in high school but I didn't remember much about him or Nast. It's nice to make connections with people I learned about in high school in my history class and how they relate to the history of Graphic Design.
Tuesday, January 18, 2011
Week 2
Lascaux Caves
beginnings of visual communication
Storytelling
before written communication you need to be a good storyteller
Cuneiform Tablet
process of abstraction
begin with the picture of an idea
this picture leads to sounds
Phoenicians
wrote the sound of an object
Romans
adopted different parts of Greek culture
spread ideas by conquering people
spread language
Roman alphabet had 23 letters, predecessor to our own alphabet
Quadrata / Capital Rustica
Book of Kells
made around 1880
quicker to draw curves than verticals
isolation, speed, efficiency
Charlemagne
hired Alquin of York to be his squire
Woodblock Printing
everyone can afford to have one
changes the architecture of the human brain
Parchment
stretch skin on frame
peel skin with blade making it thinner and thinner
Letter of Indulgence
“get-out-of-jail-card”
Swveydem & Pannartz
evolution to Roman letters
style based on humanist writing of Italian scribes
Calendarium
belief in human spirit
interest in science and Earth
calender interesting at this time
printed disc, seperate sheet on top, and attached string
first example of tippet
Stephen Day
brought printing to colonies
worked as locksmith
went to colonies and set up printing shop
first book was full of songs
Rococo
decorative borders
fanciful French architecture
floral, intricate design
Engravings
1695 engravings of letterforms
square divided into grid of over 2000 units
more contrast between thicks and thins
serifs getting thinner
Copperplate Engraving
not limited to horizontal/vertical setting lead type
allows you to draw whatever you want
extreme thick and thins, thin limited to stylus
lots of swirls and curves
influenced design of metal type
England
government controls printing
King Charles 2 demand reduction of printers to 20
printing allows people to rally together
Giambattista Bodoni
page design have Roccoco traits
French revolution rejects Roccoco
looks at base units when designing letters
interchangeable units
reinvents serif without bracket
letterform built by few units
Bodoni typeface
brackets very tight
Fatface
made by extending a Bodoni
display typeface
Industrial Revolution
people want to sell things
development of brands
big typefaces become popular to attract attention
world affected econimcally, socially, politicaly
possible because of power
development of factory system/division of labor
Industrialization leads to consumerism
people begin to want stuff
loss of humanization with Industrialization
growing of literacy
Vincent Figgins
Egyptian faces
name so because we were digging in Egypt at the time
also known as slab serif
Sans serif
2 line Egyptian
cut off serifs
Tuscan Letters
display faces
done with routers
Posters
designed by what would fit into the space and what materials are available
Lithography
grind smooth marble slab
allows for mix of colors and near full color images
growth of newspaper and magazines
Historical Families
Old Style (Garamond)
based on traditions of hand
based on Roman faces
Transitional (Baskerville)
evolution to modern
contrast thicks and thins
vertical stress
Modern (Bodoni)
extreme thicks and thins
no brackets
Egyptian (Clarendon)
even weight
slab serifs
Sans Serif
no serifs
12 points = 1 pica
6 pica = 1 inch
72 points 1 inch
Conclusion
If someone asked me where the "beginnings of visual communication" began Lascaux Caves probably wouldn't even pop into my mind. I've heard people mention the caves a several times in several different courses but I never really thought of it as Graphic Design. After hearing about it in class it makes more sense to me now.
Learning about what things were like before the Industrial Revolution and before technology was around is interesting to me. I always wondered how typefaces were made in the past and even in the present. I knew it was probably a really long and annoying process but I didn't know any of the details.
I also made a connection with the History of Graphic Design and the history of my major, Advertising Design. Advertising started when people needed to sell things and crazy display typefaces became popular because of this. It's a pretty simple concept and it makes sense. If I want to sell something I have to be different than everyone else. I have to stand out. Why should someone look at my stuff and not his or his or hers. I've got to draw people in. If you use an obnoxious and bold typeface on your posters then they will draw attention. I just found it really interesting how certain things are connected.