Tuesday, April 19, 2011

The week before last

If you get 20 people together to discuss postmodernism you'll get 20 different responses.

We design what we think is important.

Michael Graves?

- Dorian hates it
- it's functional and cheap

MOVIE TIME

Postmodernism

Break with the earlier modernist principles by placing emphasis on form over function by reintroducing traditional or classical elements or by carrying modernist styles or practices to extremes.

- seen in art, design, literature, and architecture
- emphasis on feel rather than rationale
- emphasis on surface, texture & materials
- self-consciousness or self referencing
- mixes of high & low
- historical references
- vernacular
- poster modern device playing with language, taking pieces from different things and putting them together

Supergraphics

became popular in the 60s and lasted until the 70s
large geometric panels of color were popular
taking large bold geometric letters and placing them in the landscape

Logo

a logo is sacred
you do not mess with it

"Wolfgang Weingart is my homie"

he is the guy that started a lot of stuff for us
eventually gets tired with international style
starts experimenting and pushes out of international style
he teachers in basel (center of design education)
he has important students that go out and teach his principles

Characteristics

experimented with letter spacing sans serif type
experimented with stair stepping rules/lines
experimented with diagonal type
reversing type out of bars (knocking out type)
introducing variations within a single word

Dan Friedman

takes variety of letterforms and has them float in space
studied in basel from late sixties to early 70s
taught in Yale
people that study at basel come back and teach and really good schools
if you studied in basel you had a theoretical base

Back to Weingart

holy shit this guy gave homework that looks like the homework we get now
"what if" came from him
what if I . . .
made variations
rotated this
knocked out this type
EXPERIMENTATION

In the 80s . . .

apparently we loved things that floated
I MEAN WE LOVED THAT
I guess the 80s had an "orgy" of texture just for no reason
Willie Kuntz

Micromacro
he's good for "what if" pushing those boundaries

Memphis

way to go Memphis you messed up somehow
Memphis Design group based in Milan
hoped to erase International style
pulling everything they could find and put it together in this "vomit soup" to reject International Style
function is secondary to style
Memphis Couch

good lord this looks horrible
please take it off the screen

Memphis Shelf

it looks cool but how the hell am I supposed to put something on it?
why does it have angled shelves?
it looks kind of like some weird robot
it was attention grabbing, fun, and lively

70s

a time of "epic" rock
artwork reflected
they were deep and meaningful
"the ship sailing over the planet"
basically it was really ridiculous and unnecessary
and then . . .

. . . came the 80s

saturations of color
everyone was taking the same drug

Patrick Nagle

posterboy of the 80s
all about surface and objectification

Walked back in on some dude getting head from a hooker

Peter Ceville

had a friend doing rock and roll posters
got interested and met friend in Manchester doing posters
language he developed created an aesthetic that became pretty popular for a while

Von Oliver

English designer
traditional designer
traditional means

Stefan Sagemeister (German Artist)

"his voice will convert you"

frontal nude pose for poster

had assistant carve typography into his body . . . literally

famous for handmade typography
mixing high and low
very charismatic
famous for taking a year off early in his career and wrote articles about his year off
very sincere

Postmodernists create work that is difficult to read or disgusts you
they say this is more powerful than clean helvetica type
it actively conveys you therefore it a more effective form of communication

Chip Kidd

book designer
he's the same as as Dorian (however old that is)
Cheese Monkey's
Conclusion Postermodernist or modernist?

I don't think I really fall into either category because to be honest I don't really like to label myself. I don't feel like I have a strong connection to either one of them because I am a young student who's trying to be a designer but is still learning all the do's and don't. I mean I have my own opinions on what design I think works and what I think doesn't work but I don't feel like my personality is so black in white. I think we all have a little bit of postmodernist and modernist in us.

Tuesday, April 12, 2011

April 12th

Swiss Design + The International Typographic Style

more than just grids
visual unity achieved by asymmetrical organization - traced back to new typography of Bahaus
objective photography
sans serif type
flush left, rag right
mathematical grids - traced back to Behrens
socially useful

Everything from swiss design we've seen before, they're just coming together in one form

swiss design = the international typographic style
more important than the appearance than the attitude
design a socially useful and important activity

Being a designer is about the way you live your life. Would you be a designer if you weren't getting paid? If you weren't benefitting somehow? Swiss design is about the spirit behind the design. Roots come from:

the new typography
De Stijl
Bahaus

Max Bill + Theo Balmer

died in 1965 and 1994
both students of the Bahaus
link from Bahaus to post WWII swiss design
Balmer student in Dessau
grid as art, it isn't just a set of rules but it informs or becomes the art itself

Ulm
school notable for inclusion of symbiotic and a major

Semiotics
"the philosophical theory of signs and symbols"
what things mean in relationship to other things
syntactics - order
semantics - meaning or referred to
pragmatics - how it is used

The human brain is a lazy muscle and will always go to the easiest possible solution

as soon as you get other information your brain will lock in on that information
sometimes you get meaning from casual juxtaposition
dyslexic people see thing that aren't necessarily there

Adrian Frutiger

apparently still alive
born in 1928

Univers

1954 completes Univers alphabet after 3 years
deals away with traditional nomenclature and has a numbering system instead
this a logically system of articulation
Arman Hoffman

still alive also
develops system of relationships and contrasting elements
gave us the one truth that if you design the negative space the rest will work
the negative space is an active component

Joseph Muller Brockman

died in 1996
good for creating semiotic relationships
dynamic imagery

film poster from 1960 "deFilm"
you can see the units and grid
you can see dominant horizon/vertical
negative space doesn't feel like it's been leftover
a good grid is libertating

Paul Rand, Saul Bass, Ivan Chermayeff - The Big Idea

Paul Rand

does a lot with the simplest imagery
frequently will sign his own work
you see a lot with cut paper and things that are hand done
designed UPS original logo
a lot of work that was just immediate, casual, a collage

MOVIE TIME - Paul Rand

Saul Bass

title sequences

Conclusion

The Vagina Monologues poster was great, that's the classic case of a good idea. For me, I can tell when something is really good when I get pissed off. You ever get that way when you see something and you're like, dammit I could have thought of that! I don't literally get pissed off but it really gets to me. The best ideas aren't "hard" to think of. It's just hard getting to them or recognizing them.

"You know what looks like a vagina? Lips." That's not an earth shattering discovery. You don't need a doctor or some genius to figure that out. Some middle school kid could probably point that out. So what makes it good? The fact that it has double meaning and both of those meaning relevant. You use your mouth to talk about monologues and that's why the lips are relevant. What are we talking about? Vagina's, and oh hey . . . those lips kind of look like — ohhh I get it.

Boom. That's a good idea. When you get a reaction. When you're drawn in because you see something ordinary and it turns into something that is extraordinary. That is the key to good advertising.

Tuesday, April 5, 2011

Post Test Part II

BAHAUS REVIEW

utopian desire to create a new spiritual society
at the beginning was unity of arts & crafts movement to build for the future
ideas from all of the advanced art and design movements were explored and applied to functional design

Gropius - 1st director of Bahaus
Itten - 1st foundations program
Joseph Albers - 1st graduate who also taught there
Van der Rohe - final director
Bayer - designed universal alphabet

Moholy Naig - replaces Itten and becomes Gropius' right hand man
far left - tyopophoto
middle - photogram
far right - photoplastic

Universal typeface
no capitals
silly to have two alphabets
harder to read

MOVIE BREAK ON BAUHAUS

Jan Tschichold- hand lettered advertisement

son of designer/painter
studies calligraphy as a child
most German typography printed in Textura
designs constructed on underlying grid/mathematical structure

In what way is Tschichold like Morris, Elbert, Hubbard/Roycrofters, and Wiener Werkkstatte

gives ideas of Bahaus practical express
writing pamphlets for lowly printers to understand

Herbert Madder

SWITZERLAND POSTER
Swiss born and later moved to America
pioneered use of photomontage in poster design
defined what modern poster design could be
major scale shifts
very clear and efficient approach to typography
repeating figures
swiss flag as airbrush element
diagonal lines

Modernism starts filtering in

very open and generous white space

Lester Beal

brings modern aesthetic to american population
PIONEERS & PIORIA
likes arrows, bars, rules, sans serif typography, and old wood typography
Royal Electrification Administration (1937)
simplified regular form
figure in ground
doesn't need paragraphs of text or electric wires

Corporations begin playing important role in design and spreading gospels of design to the people

Cardboard boxes
easy to ship
not heavy
Steven Heller

member of New York Mafia
takes young designers to write books and he writes the forwards
editor of New York Times

International Style

modern ideas begin to take form
typeface design, graphic design, fine art, architecture, etc
looking for universal truths
what are pure aesthetics for architecture communication
how can we make pure clean efficient works
went horribly wrong
get a terrible reputation in 60s
gets "bastardized" by corporations
from 60s - 80s no one used Helvetica

Conclusion

It's kind of interesting to see when using white space became popular. Slowly but surely design is beginning to become more and more modern. I still wonder what it was like to design back then. I'm so used to having printers and scanners and computers with all these different typefaces readily available but back then it was way harder. It was way different. Sometimes I wish I could experience it just to see what it's like.

Tuesday, March 29, 2011

Post Test Part 1

Well, Dorian starts off class playing some mysterious song. Reminds me of Hawaii.

KEY THINGS ABOUT THE BAUHOUSE

- how can we make everyone's life better
- how can we make the perfect life
- ideals connected to Ruskin
- how can we make things better

Bahaus 1919 - 1933

Weimar 1919 - 1925

- 1923 First public exhibition
- 1924 letter of resignation

Dessau 1925 - 1932

- 1928 Gropius replaced by Meyer
- 1930 Meyer replaced by Van der Rohe

Berlin 1932 - 1933

Short film about Bahaus - Bahaus Broken Wings
Final days in Berlin

What if people came in and told us art was against the state and destroyed everything we did? What would we do?

BAHAUS

- if you have a community that's "economically depressed" you add an art school
- higher class will want to come and buy things and the arts will flourish
- arts revitalizes the city, brings art students, artists, and builds culture

Weimar

- after WWI Germany was in shambles
- no economy
- no jobs
- completely broken as a nation
- already an art school in place

Walter Gropius - the man with the vision

- main man when it comes to the Bahaus
- involved with the Bahaus from the beginning to 1928
- second wife was the widow of a composer

- while in WWI thinks of a new school
- maybe we need to go back to the old ways (similar thoughts to Arts & Crafts movement)
pointed to cathedrals

- painting
- sculpture
- architecture

- all of these arts should be unified in one area and equally valuable

Early Years

- powerful community spirit
- people put their wholes lives into it
- during a time where utopian ideas are very important

Council of Masters

Gerhard Marks sculpture/potter

Lyonel Feringer painter

Johannes Itten preliminary courses

Itten

- his goal was to release each students creative abilities
- courses he established wanted to unearth physical nature of materials
- "medium is the message"
- taught fundamental design principles that underlined all of the arts
- what are the basics that every artist should know?
- in classes study based on contrast
- soft relative to hard round next to rigid
- leaves Bahaus in 1923
- Bahaus moves toward rationalism and design for machine which Itten doesn't like
- shifting more toward design thinking

Assemblage
- found piece of wood
- old saw blade, piece of glass
- they used these random items because this was all they had
- rummage trash heaps for material
- it's about analysis

Poster

- cubism
- de stijl
- moving from art and handicraft toward technology

1923 exhibition
- first public exhibition of the Bahaus

Itten replaced by Lazlo Moholy Nagy

- hungarian constructivist, bit of a scientist
- likes to experiment with resins
- works with photomontage

Ad for tires Lazlo Moholy Nagy

- typeophoto
- sees photography as a replacement for painting
- uses photography to develop new visual language for a new age
- similar to Lucas Bernhard's Plakishtil
- photoplastics

Tension

- tensions in city and forced to move to Dessau
- Dessau very industrial city

Building

- modern building
- windows are curtains?

Staircase

- stairs, windows, chairs
- Schelemmer/Roy Lichtenstein make painting about students using stairs

movie intermission . . .

Universal alphabet
- we have 2 sets of letters, upper and lowercase
- experimented without capitals

Bahaus explorations

- Bahaus did away with serif
- flushing to left and ragging to the right
- contrast and hierarchy
- using bars, rules, squares, and open compositions in implied grids
- strong horizontals/verticals in compositions

Mies Van der Rohe "less in more"

Berlin

- attempted to run school in Berlin
- didn't work so closed in 1933

Conclusion
I was off on what I thought the Bahaus was about. All I remembered was that they dealt with architecture and I thought that was their main thing but I was wrong. That was just a 3rd of their focus, but I should still get some credit.

I didn't remember where Bahaus was too but I thought the time it opened was interesting. There was a lot going on during the time of the Bahaus. WWI just ended, the February Revolution happened in Russia, and later on the Great Depression and WWII would occur. There's so many important historical events that happened at this time that I think had a huge impact on the school itself. I don't even know what it would be like going to school during that time. It must have been rough. That's all I kept thinking about the entire time we covered the Bahaus.

BAHAUS

I believe it was founded by Walter Gropius and dealt a lot with architecture.

Tuesday, March 15, 2011

Post Spring Break Part 1

Suprematism
art should not have function
it should be pure expression
nonrepresentational

Constructivist
art should be for the benefit of the state

USSR poster
still have the original photo montage for the poster

Photomontage
becomes popular because . . .
photography seen as a tool of the modern age
it's a machine so it goes along well with the upcoming age

Sergei Eisenstein
Russian guy who makes movies
socialist regime in Russia

Alexander Rodchenko
Constructivism poster child
if you are creating something for the people it has moral good
attends art school in early 1900s
the process is the significance of the work
reminds me kind of fine arts where you don't necessarily have to understand the piece or concept. That's not the point.

Pure Red, Pure Yellow, and Pure Blue
these pieces displayed in a show
"i have reduced painting to its logical conclusion"
is there a need to do more painting?
this sort of makes it have a limited shelf life, how much simpler can you get than simple?

KAKAO
you would not think of this as art
constructivism says the only true art has a function
if it is an ad it is serving the common good, it has a function, and therefore is art
moral value = function = good art

Stalin Era
at the beginning people that artists were great
art was a counter to tzarist Russia

De Stijl Duh Shhhtilll
movement developed in the Netherlands
utopian approach to aesthetic - key idea
what makes good art?
how can we create a formula to make a good art?
what is good art?
we want a utopian society . . . but it still has to be functional
characteristic:
rectilinear planes
no surface textures except pure primary hues + black and white
no trees or happy cows
we want a mathematical structure
universal harmony
not about just filling the page

Piet Mondrian
best known painter

Theo Van Doesburg
he started the Duh Shtil movement
the movement lives and dies with him
interested in working with Dada's
he published Dada poems which is kind of ironic
Why would he embrace the Dada's?
there's a philosophy at play . . .
he wants a system for universal harmony, looking at structures for order and systems
people look for these people they feel like the current system is not working
Dada's are needed to explode the system so . . .
his group could come in and steal the show

Ideas of De Stijl applied to:
architecture
sculpture
painting
graphic design
something about partridge family

Asymmetrical Balance
implied rectangle around the elements
air moves around freely

More Mondrain
his later work coincided with electrical tape
we have a trajectory of his paintings
as he developed he would paint the same tree so we could see his progression as an artist

MORE MOVIE
movie
movie
movie

Conclusion

Time to wrap it up. I'm kind of pissed I forgot to bring my Mondrian shoes at home they would have been perfect for class. I think when it comes to what is art I don't really think you need such a strict clear cut set definition of what is art and what is not. Who cares? It's such a subjective thing. People consider the Mona Lisa to be a great painting but I'm sure there's plenty of people that hate it. It's all opinionated and you can spit out all the facts you like but when it comes down to the wire it's all about what tickles your fancy.

What is art to me? Anything that a person creates in an interesting manner. And that's not just drawings, music is art, writing is art, dancing is also a form of art. Anything that pleases or entertains people is art. I don't think you need to go much more in depth than that.